The Favourite has been one of the most talked about films of the 2018/2019 awards season. With the high buzz for the Oscars, several movie sites are putting the film on their “Best Movies of the Year” lists. Check out what various publications are saying:

IndieWire

Yorgos Lanthimos has come a long way since his “Dogtooth” days, and yet nothing about his naughty surrealist style has been compromised along the way. This twisted black comedy set in the British royal court of the 18th century is a riveting showcase for the holy trifecta of Emma Stone, Rachel Weisz, and Olivia Colman in a lesbian love triangle as two women jockey for power and a third enjoys the show. It’s an actor’s showcase, but also a Lanthimos showcase, as he abandons the weight of historical accuracy and instead delivers a hilarious and strange window into desperate behavior that transcends the specificity of its period. Every laugh line of “The Favourite” lands with gusto, as does its inspired slapstick, but it’s carried along by a whiff of melancholy. Lanthimos seems to admire his deranged characters’ determination even as he sets them up for failure. In his ever-expanding universe, we’re all a bunch of rabbits hopping toward pointless destinations, comical and exasperated at the same time. Embodying this worldview better and with greater confidence than ever before, Lanthimos has crafted the ultimate indictment of our greedy, narcissistic times. The world may be falling apart, but Lanthimos at least allows us to recognize its demise as the punchline it deserves to be.


Yorgos Lanthimos percorreu um longo caminho desde seus dias de “Dogtooth”, e no entanto nada sobre seu estilo surrealista e perverso foi comprometido ao longo do caminho. Esta comédia de humor negro definida na corte real britânica do século 18 é uma vitrine fascinante para o trifecta de Emma Stone, Rachel Weisz e Olivia Colman em um triângulo amoroso lésbico, enquanto duas mulheres competem pelo poder e uma terceira gosta do show. É um show de atores, mas também um show de lanthimos, quando ele abandona o peso da precisão histórica e, ao invés disso, apresenta uma janela hilariante e estranha para um comportamento desesperado que transcende a especificidade de seu tempo. Todas as linhas de riso de “The Favourite” chegam com entusiasmo, assim como o pastelão que é inspirado, mas é levado por um sopro de melancolia. Lanthimos parece admirar a determinação de seus personagens perturbados enquanto os prepara para o fracasso. Em seu universo em constante expansão, somos todos um bando de coelhos pulando em direção a destinos sem sentido, cômicos e exasperados ao mesmo tempo. Incorporando melhor essa visão de mundo e com mais confiança do que nunca, Lanthimos elaborou a acusação máxima de nossos tempos gananciosos e narcisistas. O mundo pode estar desmoronando, mas lanthimos pelo menos nos permite reconhecer a sua morte como a marca que merece ser.

HuffPost

Parlor games have never been this fun. The NSFW power struggle that unfurls in the bowels of Queen Anne’s castle is equal parts farce and tragedy — a Yorgos Lanthimos movie, in other words. With volcanic performances from Olivia Colman, Emma Stone, Rachel Weisz and Nicholas Hoult, “The Favourite” satisfies our collective itch for a lesbian “All About Eve” set amid an early-1700s English court. Every word is a tart-tongued barb, and every corset merely a cover-up for the dangerous liaisons that go unmentioned in history textbooks. Of course, time will tick on, and those who hunger for aristocracy may still find themselves lacking when they achieve it. In 2018, there wasn’t anything as delicious, provocative and profound as this.


Jogos de salão nunca foram tão divertidos. A luta pelo poder da NSFW que se desenrola nas entranhas do castelo da Rainha Anne é uma farsa e tragédia em partes iguais – em outras palavras, um filme do Yorgos Lanthimos. Com performances vulcânicas de Olivia Colman, Emma Stone, Rachel Weisz e Nicholas Hoult, “The Favourite” satisfaz nossa coceira coletiva por uma lésbica “All About Eve” ambientada em uma corte inglesa do início do século XVIII. Cada palavra é uma farpa de língua afiada, e cada espartilho é apenas um encobrimento das ligações perigosas que não são mencionadas nos livros de história. É claro que o tempo vai passar e os que têm fome de aristocracia ainda podem se sentir em falta quando o alcançam. Em 2018, não havia nada tão delicioso, provocativo e profundo como isto.

The New York Times

The twisty mischief of the plot — court intrigue in the palace of Queen Anne overlaid with sexual treachery among the her courtiers — is crisply handled, but what lands this movie on the list are its many moments of scenic and thespian audacity. Emma Stone makes rape jokes. Rachel Weisz dispatches pigeons with a front-loaded rifle. Olivia Colman complains of gout. There are bunnies, duck races and a human menagerie of fops, fools and femmes fatales. The moral is that power corrupts, and corruption is fun.


A confusão sinistra do enredo – intrigas na corte da Rainha Anne, revestidas de traição sexual entre os cortesões – é tratada com clareza, mas o que leva esse filme à lista são seus muitos momentos de audácia cênica e teatral. Emma Stone faz piadas de estupro. Rachel Weisz mata pombos com um rifle. Olivia Colman reclama de gota. Há coelhos, corridas de patos e um zoológico humano de foles, tolos e mulheres fatais. A moral é que o poder corrompe e a corrupção é divertida.

 

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