Sponsor Ads

All posts in awards


The Favourite has been one of the most talked about films of the 2018/2019 awards season. With the high buzz for the Oscars, several movie sites are putting the film on their “Best Movies of the Year” lists. Check out what various publications are saying:

IndieWire

Yorgos Lanthimos has come a long way since his “Dogtooth” days, and yet nothing about his naughty surrealist style has been compromised along the way. This twisted black comedy set in the British royal court of the 18th century is a riveting showcase for the holy trifecta of Emma Stone, Rachel Weisz, and Olivia Colman in a lesbian love triangle as two women jockey for power and a third enjoys the show. It’s an actor’s showcase, but also a Lanthimos showcase, as he abandons the weight of historical accuracy and instead delivers a hilarious and strange window into desperate behavior that transcends the specificity of its period. Every laugh line of “The Favourite” lands with gusto, as does its inspired slapstick, but it’s carried along by a whiff of melancholy. Lanthimos seems to admire his deranged characters’ determination even as he sets them up for failure. In his ever-expanding universe, we’re all a bunch of rabbits hopping toward pointless destinations, comical and exasperated at the same time. Embodying this worldview better and with greater confidence than ever before, Lanthimos has crafted the ultimate indictment of our greedy, narcissistic times. The world may be falling apart, but Lanthimos at least allows us to recognize its demise as the punchline it deserves to be.


Yorgos Lanthimos percorreu um longo caminho desde seus dias de “Dogtooth”, e no entanto nada sobre seu estilo surrealista e perverso foi comprometido ao longo do caminho. Esta comédia de humor negro definida na corte real britânica do século 18 é uma vitrine fascinante para o trifecta de Emma Stone, Rachel Weisz e Olivia Colman em um triângulo amoroso lésbico, enquanto duas mulheres competem pelo poder e uma terceira gosta do show. É um show de atores, mas também um show de lanthimos, quando ele abandona o peso da precisão histórica e, ao invés disso, apresenta uma janela hilariante e estranha para um comportamento desesperado que transcende a especificidade de seu tempo. Todas as linhas de riso de “The Favourite” chegam com entusiasmo, assim como o pastelão que é inspirado, mas é levado por um sopro de melancolia. Lanthimos parece admirar a determinação de seus personagens perturbados enquanto os prepara para o fracasso. Em seu universo em constante expansão, somos todos um bando de coelhos pulando em direção a destinos sem sentido, cômicos e exasperados ao mesmo tempo. Incorporando melhor essa visão de mundo e com mais confiança do que nunca, Lanthimos elaborou a acusação máxima de nossos tempos gananciosos e narcisistas. O mundo pode estar desmoronando, mas lanthimos pelo menos nos permite reconhecer a sua morte como a marca que merece ser.

HuffPost

Parlor games have never been this fun. The NSFW power struggle that unfurls in the bowels of Queen Anne’s castle is equal parts farce and tragedy — a Yorgos Lanthimos movie, in other words. With volcanic performances from Olivia Colman, Emma Stone, Rachel Weisz and Nicholas Hoult, “The Favourite” satisfies our collective itch for a lesbian “All About Eve” set amid an early-1700s English court. Every word is a tart-tongued barb, and every corset merely a cover-up for the dangerous liaisons that go unmentioned in history textbooks. Of course, time will tick on, and those who hunger for aristocracy may still find themselves lacking when they achieve it. In 2018, there wasn’t anything as delicious, provocative and profound as this.


Jogos de salão nunca foram tão divertidos. A luta pelo poder da NSFW que se desenrola nas entranhas do castelo da Rainha Anne é uma farsa e tragédia em partes iguais – em outras palavras, um filme do Yorgos Lanthimos. Com performances vulcânicas de Olivia Colman, Emma Stone, Rachel Weisz e Nicholas Hoult, “The Favourite” satisfaz nossa coceira coletiva por uma lésbica “All About Eve” ambientada em uma corte inglesa do início do século XVIII. Cada palavra é uma farpa de língua afiada, e cada espartilho é apenas um encobrimento das ligações perigosas que não são mencionadas nos livros de história. É claro que o tempo vai passar e os que têm fome de aristocracia ainda podem se sentir em falta quando o alcançam. Em 2018, não havia nada tão delicioso, provocativo e profundo como isto.

The New York Times

The twisty mischief of the plot — court intrigue in the palace of Queen Anne overlaid with sexual treachery among the her courtiers — is crisply handled, but what lands this movie on the list are its many moments of scenic and thespian audacity. Emma Stone makes rape jokes. Rachel Weisz dispatches pigeons with a front-loaded rifle. Olivia Colman complains of gout. There are bunnies, duck races and a human menagerie of fops, fools and femmes fatales. The moral is that power corrupts, and corruption is fun.


A confusão sinistra do enredo – intrigas na corte da Rainha Anne, revestidas de traição sexual entre os cortesões – é tratada com clareza, mas o que leva esse filme à lista são seus muitos momentos de audácia cênica e teatral. Emma Stone faz piadas de estupro. Rachel Weisz mata pombos com um rifle. Olivia Colman reclama de gota. Há coelhos, corridas de patos e um zoológico humano de foles, tolos e mulheres fatais. A moral é que o poder corrompe e a corrupção é divertida.

 

Joe Alwyn attended a Q&A for SAG Awards voters on December 3 in New York. He was accompanied by Margot Robbie and Jack Lowden. Check out the photos in our gallery:

DECEMBER 3 | ‘MARY QUEEN OF SCOTS’ SAG-AFTRA SCREENING

Joe Alwyn attended a Q&A for BAFTA voters on December 2 in New York. He was accompanied by director Josie Rourke and the cast of Mary Queen of Scots. Check out the photos in our gallery:

DECEMBER 2 | ‘MARY QUEEN OF SCOTS’ BAFTA SCREENING

The Atlanta Film Critics Circle, has awarded its top films of the year. Their winners are listed below with The Favourite showing up, taking the top prize. “The film is defined by incredible performances and a powerful rendering of the viciousness behind class divisions,” says AFCC co-founder Felicia Feaster. “Though set in the 18th century, there is clear resonance for our current age and the often brutal circumstances for women who are powerless and lack social standing in Yorgos Lanthimos’ trenchant rendering of gender divisions and power,” says Feaster.

Top 10 Films

1. THE FAVOURITE
2. A STAR IS BORN
3. ROMA
4. A QUIET PLACE
5. FIRST REFORMED
6. EIGHTH GRADE
7. BLACKkKLANSMAN
8. Tie: FIRST MAN
WON’T YOU BE MY NEIGHBOR?
9. BLACK PANTHER

Best Ensemble Cast
THE FAVOURITE

Best Screenplay
Deborah Davis and Tony McNamara for THE FAVOURITE

Best Lead Actress
Olivia Colman in THE FAVORITE

Best Supporting Actress
Emma Stone in THE FAVORITE

The American Film Institute has named the honorees of AFI AWARDS 2018, celebrating the year’s most outstanding achievements in the art of the moving image — with 10 films and 10 television programs deemed culturally and artistically significant. AFI AWARDS honorees are selected based on works that advance the art of the moving image, enhance the rich cultural heritage of America’s art form, inspire audiences and artists alike and make a mark on American society.

AFI MOVIES OF THE YEAR

BLACK PANTHER
BLACKKKLANSMAN
EIGHTH GRADE
THE FAVOURITE
FIRST REFORMED
GREEN BOOK
IF BEALE STREET COULD TALK
MARY POPPINS RETURNS
A QUIET PLACE
A STAR IS BORN

Honorees will gather on January 4, 2019, for recognition at the annual AFI AWARDS private luncheon in Los Angeles, CA — an event favored by the entertainment community for its informal intimacy and its inclusive acknowledgement of excellence. At the luncheon, AFI will present jury rationales providing artistic and cultural context for the selection of each honoree.

Last week’s ​the nominations for the 23rd annual Satellite Awards have been announced by the International Press Academy (IPA). The IPA awards will be handed out in February. Check out:

Motion Picture, Drama (major)
Black Panther – Walt Disney
First Man – Universal
Hereditary – A24
If Beale Street Could Talk – Annapurna Pictures
Mary Queen of Scots – Focus Features
Widows – Twentieth Century Fox

Motion Picture, Comedy or Musical (Major, Independent or International)
Crazy Rich Asians – Warner Bros
The Favourite – Fox Searchlight Pictures
Green Book – Universal Pictures
Mary Poppins Returns – Walt Disney
Nico, 1988 – Magnolia Pictures
A Star is Born – Warner Bros

Screenplay, Original
Bo Burnham – Eighth Grade
Alfonso Cuaron – Roma
Deborah Davis & Tony McNamara – The Favourite
John Krasinski, Scott Beck, Bryan Woods – A Quiet Place
Paul Schrader – First Reformed
Nick Vallelonga, Brian Hayes Currie & Peter Farrelly – Green Book

Cinematography
Alfonso Cuaron – Roma
James Laxton – If Beale Street Could Talk
Matthew Libatique – A Star is Born
Robbie Ryan – The Favourite
Rachel Morrison – Black Panther
Lukasz Zal – Cold War

Art Direction and Production Design
Black Panther – Walt Disney
Fantastic Beasts: The Crimes of Grindelwald – Warner Bros
The Favourite – Fox Searchlight
First Man – Universal
Mary Poppins Returns – Walt Disney
Roma – Magnolia Pictures

Costume Design
Colleen Atwood – Fantastic Beasts: The Crimes of Grindelwald
Erin Benach – A Star is Born
Alexandra Byrne – Mary Queen of Scots
Ruth E. Carter – Black Panther
Andrea Flesch – Colette
Sandy Powell – The Favourite

In addition to these nominations, some co-stars from Joe have been nominated for their performances and The Favorite has won a special Best Cast award.

Source




Search

Site Status

Name: Joe Alwyn Online
Site url: joealwyn.online
Webmiss: Luara & Tracy
Contact: joealwynonline@gmail.com
Host: Flaunt

Our Tumblr
Twitter
Disclaimer

Joe Alwyn Online is a non-profit fansite, made by a fan for fans of Joe. We are in no way affiliated with Joe Alwyn nor any of his family, friends and representative. We do not claim ownership of any photos in the gallery, all images are being used under Fair Copyright Law 107 and belong to their rightful owners. All other content and graphics are copyrighted to joealwyn.online unless otherwise stated. If you would like any media removed please contact us before taking legal action.

Sponsor Ads
Joe Alwyn Online All rights reserved